故事发生在新加坡，一位年轻的教师向一位被误解的学生逼问真相，而这一行为却导致了毁灭性的结果——他们都因此失去了重要的一切。

以三個章節的逐格動畫呈現在不同階段，夢境如何在反覆揭開傷口的膿瘡中滋養，這種無法解釋的病態心理透過詭譎的角色以及幽暗的空間放大到極致，反映無意識與現實之間的微妙關係。

1967年，一名18歲的青年背負著全家人的期待，從馬來西亞前往臺灣留學，期待學成歸國可以分擔家計，造福鄉里。但不久後，他就遭到特務誣陷，被關在孤島上的監獄，多年後才得以在會客室裡與母親見上一面。 　　本作品改編自臺灣白色恐怖時期政治受難者陳欽生的經歷，以皮影戲的形式呈現一則寓言故事。觀眾將操控塵封已久的小男孩皮偶，在藍色小鳥的鼓勵下，滿懷希望地走進森林，收集發光的羽毛。然而，森林卻比想像中凶險，而誘引他上路的藍鳥，其真面目又是什麼？

林少鹏是一个普通的工地工人，从小父母离异的他并没有感受到什么家庭的温暖，一次在便利店买可乐的误会中，他与建筑公司老板的女儿许慕凝结下了不解之缘。老板在工地视察时，林少鹏指出了工地的一个隐藏危险，老板因此对林少鹏赏识有加，随着林少鹏和许慕凝的关系越来越近越来越深入，他们相爱了，虽然林少鹏因为自己的出身而不敢直面这段感情，许慕凝却用自己的果敢牵着林少鹏走入了婚姻的殿堂，婚后，林少鹏也开了自己的公司，事业蒸蒸日上，许慕凝却检查出了阿兹海默氏症，林少鹏在无数次的挣扎之后接受了这个事实，并且决定要永远爱着许慕凝，许慕凝每天早上醒来就会忘记一切，但是林少鹏拼尽全力，还是能让许慕凝在睡觉之前爱上自己。

林少鹏是一个普通的工地工人，从小父母离异的他并没有感受到什么家庭的温暖，一次在便利店买可乐的误会中，他与建筑公司老板的女儿许慕凝结下了不解之缘。老板在工地视察时，林少鹏指出了工地的一个隐藏危险，老板因此对林少鹏赏识有加，随着林少鹏和许慕凝的关系越来越近越来越深入，他们相爱了，虽然林少鹏因为自己的出身而不敢直面这段感情，许慕凝却用自己的果敢牵着林少鹏走入了婚姻的殿堂，婚后，林少鹏也开了自己的公司，事业蒸蒸日上，许慕凝却检查出了阿兹海默氏症，林少鹏在无数次的挣扎之后接受了这个事实，并且决定要永远爱着许慕凝，许慕凝每天早上醒来就会忘记一切，但是林少鹏拼尽全力，还是能让许慕凝在睡觉之前爱上自己。

唐艺回国找甄子非，寒暄国外生活。甄子非提及升职及带女友季小福看极光计划，唐艺脸色微变，仍分享攻略。甄子非回家与季小福聊唐艺，季小福因被打断分享衣服而不悦。唐艺约季小福，要求其主动与甄子非分手，季小福拒绝。甄子非得知后斥责唐艺破坏感情，唐艺辩称有争取幸福的权利。甄子非怒斥其行为，宣布断绝来往，愤而离开。

《限定的记忆》是2019年爱奇艺推出的明星成长纪实真人秀，由现象级人气偶像NINE PERCENT为节目主体，以纪录片拍摄手法揭秘选秀出道的九位偶像少年，十八个月里各自心路历程与真实故事。每个人将分为不同的主题，按照纪实手法记录他们一路以来的故事，揭秘幕后的NINE PERCENT。

NINEPERCENT原创专辑音乐纪实真人秀，集结超人气男团NINEPERCENT九名成员，全方位记录他们为了共同的音乐梦想创作音乐，并在国际顶尖音乐制作人的鼎力加…

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.